In some ways, it’s a relatively straight forward story. So, in 2001, Kelley Armstrong published Bitten, a fantasy novel complete unto itself featuring a female werewolf (Elena), her wolf ex-lover responsible for turning her (Clay) and the members of her erst-while pack (the alpha Jeremy and a few others with varying levels of important roles). (If it’s not clear by now, sometimes I compulsively read all the books in a lengthy series.) The final book in the series (straightforwardly titled, wait for it, Thirteen) included a note from the author, which I found interesting as it reflects a bit on her planning (or lack thereof) for the series. Having just finished the final, thirteenth book in the series, I wanted to reflect a bit on at least one aspect of the books. I, however, easy prey that I am, watched the first two seasons and, more importantly, I’ve read the book series from author Kelley Armstrong, which began with Bitten and became the Women of the Otherworld. As someone else said, it’s perhaps more of a “noflix” than anything else. You might have tried it. You might have been ambivalent about it. If you have Netflix, you’ve probably been prompted to watch Bitten.
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